Not just another girl
On Rassul Sadr-e Ameli's "I'm Taraneh,15"
By Poopak Taati
May 2, 2003
The Iranian
"I'm Taraneh,15" is an inspiring movie, showing aspects of
Iranian culture -- the youth, women, family relations, social interactions
-- that are often portrayed frankly in movies, poems, and other artistic
expressions, but are rarely discussed and analyzed in public forums.
The movie warms up your heart as you see the cheerful smiles of young
Taraneh and admire her strength of character and resourcefulness. When
she struggles to survive and win against all odds, you cannot but respect
her and the culture she carries in her words and actions. Rassul Sadr-e
Ameli's depiction is so realistic that you will not doubt the truth of
Taraneh's life circumstances or her reactions.
Taraneh is a 15-year-old model student in school who works in a photo
shop, but also takes care of her ill grandmother. Her mother has passed
away many years ago and her father is a nice, mild-mannered, middle-aged
man whom she visits in prison, although it is not clear what crime he
committed.
Taraneh is a source of joy to her Dad, but so is he to her. This is a
father well worth having as he is sensitive, caring, and treats her daughter
as a precious being. No wonder Taraneh shows good judgment and wisdom
even at the age of fifteen. It takes good parenting to develop a character
like Taraneh.
Taraneh notices that Amir Hossein is pursuing her, a handsome young man
of a comfortable background working for his father's business in the next
door shop. He seems obsessed by young Taraneh, taking pictures of her
and following her home even though she does not welcome such attentions.
When she finally confronts him that his attentions could get her fired
from the photo shop, he confesses he is in love and wishes to marry her.
He is aware of her family difficulties, but is amazed by her character
and knows well she is not just another girl in town. Impressed, young
Taraneh trusts Amir Hossein's love and accepts his proposal, taking his
affection to heart.
Unfortunately, this marriage does not have the blessings of Amir Hossein's
mother, a secular woman, with "feminist" tendencies, who is
the head of a women's organization. Not so ironically in the cultural
context of Iranian society, Mrs. Keshmiri, not a traditionally minded
woman, suggests instead that Amir Hossein and Taraneh have a temporary
religious marriage (sigheh), although she surely would have never
approved of the same types of arrangements for her own daughter.
Mrs. Keshmiri is angry with her son for falling in love with Taraneh.
She says her son is young, immature, confused and cannot take on the responsibilities
of a marriage. Maybe she is right, or maybe Amir Hossein, in choosing
to love Taraneh, wants to rebel against a mother who is lacking in trust
and is possessed by materialistic outlook and love of herself.
Mrs. Keshmiri cannot clarify for herself, her son or Taraneh the sources
of her worries. She seems unable to think honestly that Amir Hossein's
narcissistic tendencies might mirror her own personality. She somehow
considers all of his flaws justified and instead blames Taraneh for having
made the young man admire her. She can only show anger, nothing more.
Taraneh, even if 15, is able to notice the hypocrisy of Amir Hossein's
mother, though she is above acknowledging her mistreatments. She is confident
that her own abilities will turn the circumstances to her favor. In addition,
she seems to need the love of Amir Hossein in her life now that her grandmother
is passing away and her father is still in jail. "He can be the source
of comfort and support she never seems to have," a false sense of
security that Taraneh's family shared with many others in society about
marriage relationships.
Amir Hossein and Taraneh agree to Mrs. Kashmiri's idea of a temporary
marriage, on the condition that a real marriage should follow when Taraneh's
schooling is over. A "sigheh," arrangement is less
than desirable as this type of relationship is often imposed on young
women of lower classes in relations with men of comfortable backgrounds,
mostly to eliminate any chances for long term family bonds and commitments,
following a short union. Both families seem aware of the negative connotations.
Yet, sigheh turns out a blessing in disguise for Taraneh, when
four months after, she decides to divorce Amir Hossein. Had she been married
in a "permanent" arrangement, she would have had a hard time
proving him "at fault" in court. But now, she only needs to
cancel the contract when it becomes obvious that Amir Hossein is still
immature, acting as if relationships are forms of conquest. She can not
but lose respect and love for this husband. Her father supports the decision.
Amir Hossein is not the man with whom Taraneh could build a long-lasting
relationship. He is anything but the friend and lover she had craved.
Whatever the reasons for his narcissism and endless quest for sexual pleasures,
he obviously lacks empathy and the ability to love and respect Taraneh.
All she knew is that the relationship was not supportive of her and it
would not be wise to continue feeling miserable.
The whole mistake could have ended at this point, as Amir Hossein's mother
sends him to Germany now that the divorce is finalized. But, as if life
had not presented Taraneh with enough challenges, she has to face yet
another. Soon, she learns she is pregnant and does not know the choices
before her.
She goes to Amir Hossein's mother for advice who claims her organization
helps women. Instead of any consultation and care, Taraneh gets the angry
outbursts of a mother who accuses her of having affairs and insists that
the baby could not be her son's. She fears that Taraneh wants to share
in her son's inheritance -- perhaps the only real reason she had objected
to the marriage in the first place. So much for Mrs. Keshmiri's brand
of feminism and sense of motherhood! Could anyone expect Amir Hossein
to turn out a responsible, caring, and truthful man?
Taraneh takes upon herself the task of proving that Amir Hossein is the
father of her child. After all, her reputation is on line, and she lacks
the resources needed to raise her daughter. What is the responsibility
of a man who is the father of her child in a legally recognized although
temporary marriage?
Mrs. Keshmiri does not care about Taraneh's reputation or financial well-being.
Assuming that the young woman's modest background and lack of a close
family will make her succumb to pressure, she first threatens her and
then pushes her to abort the pregnancy without giving any reasonable explanations.
When she fails to get Taraneh's cooperation, she offers her charity money,
which she gracefully rejects. Then, Mrs. Keshmiri sends one of her employees
to propose marriage to her and adopt the child. This angers Taraneh and
makes her sure in taking legal actions.
In court, Mrs. Keshmiri uses her charm, her power, her status, and everything
else to portray Taraneh as a "loose" woman whose child could
not be her son's. Taraneh studies the law in order to defend herself,
but she has to admit to the judge her ignorance. Fortunately, the judge
unimpressed by Mrs. Keshmiri's positioning makes the fair decision, giving
Taraneh's child the right to carry her father's last name.
The struggles of Taraneh all seem real. Sadr-e Ameli keeps you guessing
where the movie is headed as it is impossible to overestimate the loneliness
of this girl in a city like Tehran and in confrontation with family-based
influences. But, you have to be careful not to underestimate her either!
She is surely not just another girl in town!
"I am Taraneh 15" is a lot more than its story and much more
than good acting. This is a film that challenges your cultural assumptions
and makes you think of the far-reaching effects of a strong and sensitive
love bond between the only two members of a family, a daughter and a father.
Surely, love shows its wonders when it matters most.
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