Wednesday
April 11, 2001
Satire's hallowed place in Iranian journalism
As amusing as I found your April Fool's feature, "Not
without my mom", it was not half as interesting as the responses
from your readers. My first reaction was, "Gee, I did not know there
were so many irritable royalists out there."
But, I am wondering if the resentful cries of "poor taste",
"irresponsible journalism" and, most interestingly, "lies",
speak to a cultural divide as much as a political one.
Although satire has had a hallowed place in Iranian journalism (I think
I'd actually be relieved if somebody besides Qajar loyalists at the time
criticized Ali Akbar Dehkhoda for "Charand o Parand"), it has
rarely been seen as anything but an insulting, apolitical or (at a minimum)
irresponsible act.
Iraj Mirza's "Arefnameh" was social criticism no less than
Jamalzadeh's "Farsi Shekar Ast" but it's very sexual and abusive
language tied into older traditions of satire that were highly personal
and clearly insulting.
"Nahid" in the 1920's and "Baba Shamal" in the 1940's
tried to hide behind the disclaimer of "satire", but there was
never any doubt about the leftist political leanings of these periodicals.
Add to this a long Perso-Islamic intolerance for criticizing leaders.
It is forbidden to insult Islam or Prophet Mohammad. Iranian press laws
were always careful to prohibit attacks upon the royal family and government
officials along with Islamic norms and tenets.
I'm not sure, but I don't know of any equivalent holiday in Iranian culture
to "April Fool's Day." I can see the argument forming now, "The
Iranian Times used the cover of a Western holiday to attack a fellow
member of the Iranian diaspora -- how gharbzadeh is that!"
In the U.S., however, satire (especially political satire) is almost
institutionalized (consider the extremely lame "Capital Steps"
routines that occasionally ooze onto your National Public Radio broadcast
station) and has become the very weak alternative to hard-hitting, investigative
journalism in this country, a tradition of American journalism which has
fallen prey to an extremely disingenuous preoccupation with "objectivity."
It would be nice to think that there is even one American journalist
left with the integrity and courage of Akbar Ganji. As a result, satire
in the U.S. has to go "over the top" to even raise an eyebrow.
I am not, of course, arguing that Iran should aspire to become a "Jerry
Springer Show/South Park" nation but Iranians and Iranian-Americans
might wish to think about the value of taking things like "Not without
my mom" in stride. The Islamic Republic, like the Pahlavi and
Qajar Dynasties before it, is only too willing to show us intolerant alternatives.
Cam Amin
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