در سحر بیخوابی
دست میبرم بر ملافه های خالی
بدنبال رویای رخوت
درنیمه روز داغ تابستانی بی انتها
میدوم بدنبال يك سايه
برای گفتن درد برای نام بردن ترس
یک وقتی هیاهو زمان خوشی بود
زمان اعتقادهای بی شک
زمان باور سنتهای دیرین
بی احساس از کمبود ها
غریزهای سرکوفته دل بدلی آشفته
خلاء عشق بی اجازه
که لذت های غدقن پرنمیکنند
رد میشوند از کنارم با تمسخر
ترس لذت ترس گناه
ترس رنجاندن خدائی بی عذر
-----
و زمان میگذرد
مرگ در فضا میرقصد
باید دوباره بار غم بردوش گرفت
بر سر جاده به سوی مقصدی ناشناخته
نوروز را نباید منتظر شد
نوروز را باید یافت
یا دوباره باید ساخت
چو سایه ای در گرمای خفه تابستان
اورنگ Sept 2012
Recently by Orang Gholikhani | Comments | Date |
---|---|---|
هم کوچه | 4 | Nov 25, 2012 |
نوازش پرستو | 2 | Nov 18, 2012 |
نیمکت | 3 | Nov 11, 2012 |
Person | About | Day |
---|---|---|
نسرین ستوده: زندانی روز | Dec 04 | |
Saeed Malekpour: Prisoner of the day | Lawyer says death sentence suspended | Dec 03 |
Majid Tavakoli: Prisoner of the day | Iterview with mother | Dec 02 |
احسان نراقی: جامعه شناس و نویسنده ۱۳۰۵-۱۳۹۱ | Dec 02 | |
Nasrin Sotoudeh: Prisoner of the day | 46 days on hunger strike | Dec 01 |
Nasrin Sotoudeh: Graffiti | In Barcelona | Nov 30 |
گوهر عشقی: مادر ستار بهشتی | Nov 30 | |
Abdollah Momeni: Prisoner of the day | Activist denied leave and family visits for 1.5 years | Nov 30 |
محمد کلالی: یکی از حمله کنندگان به سفارت ایران در برلین | Nov 29 | |
Habibollah Golparipour: Prisoner of the day | Kurdish Activist on Death Row | Nov 28 |
Mehrban jan thanks
by Orang Gholikhani on Wed Sep 12, 2012 09:58 AM PDTMehrban jan, thanks for details. It is amazing, I've visited Sistine Chapel recently. it is huge and wonderful. it is full of great painting, I hadn't remarked this one.
My English is "light" so I didn't undrestand if you prefer rythme or content ?
Actually I made poems with rythmes and some critics told me this reduce their "complexity" and make them too common. So I try new aproach to create various variation. Wishing one day I'll fund the good one.
I should confess that I put many things from my day to day life in my poem and I don't expect others undrestand exactly what I mean! So if sometimes you don't catch, it is my fault and not yours :-)
Ghorbanat
Orang
The painting is
by Mehrban on Wed Sep 12, 2012 03:07 AM PDTThe temptation scene at the Sistine Chapel Ceiling by Michelangelo.
Beautiful painting and a very nice poem. I generally lose my way in Orangs" poems as (it seems) that for me the musicality or a certain rhythm or tone of a poem takes precedent over its content, I am not sure why.
You are amazing
by Azadeh Azad on Tue Sep 11, 2012 02:41 PM PDTOrang jaan:
You are the only Iranian man (that I know) who is *aware* that the rotten nature of the male-female relationship in the Middle-East and the resistance to change that, is the foundation of all the personal, commuunal and national ills people of this region are experiencing. For that, I am honoured to be your friend.
Love,
Azadeh
I owe you some answers
by Orang Gholikhani on Tue Sep 11, 2012 01:08 AM PDTThanks Ahang, Souri and Azadeh Aziz for your comments and
happy you have appreciated this one. Initially I didn’t expect it could obtain such
reception.
Souri jan, there is no direct link between the mythology of
this painting and my poem. I searched for a picture related to initial sin and
I found this one beautiful. You could be confused if you try to interpret the
poem with painting.
Azadeh jan, My believing is that we have a cultural concern
with initial sin, sexuality , men women relationship, familly in our country. It has
been there before Iranian revolution and it is what brought us Islamic government.
We are not alone, Arabic countries have the same concerns and it is why after
Arab spring they have an Islamic Fall in Tunisia and Egypt.
It is so deeply rooted in our heads we don’t see it and we
cannot face it and resolve it. It is may be why it mirrors the state of mind of
you too, because becoming older and wiser, we understand how much errors we
made because we followed blindly all values brought by our culture (sex,
family, love,..) and made us what we are today. Don’t misinterpret, I don’t say
all values are wrong for everybody but the specificity of we (Iranians) is that
we follow them without thinking if they make sense personally for us. We impose
ourselves a model and do not imagine that it exist other ways.
Ghorban Hamegi
Orang
Thanks Azadeh jon
by Souri on Mon Sep 10, 2012 05:01 PM PDTI read both links. Merci.
Great poem
by Azadeh Azad on Mon Sep 10, 2012 04:53 PM PDTOrang jaan:
This poem mirrors the state of mind of many, including myself. Yes, Death dances in ther Space. And because the Space is everywhere, death dances everywhere as well. So, the only place we can find Nowruz is within each of us.
I think you equate the Iranian Revolution with the Forbidden Apple in the image. Is that so?
Thanks for this powerful poem.
Azadeh
Ps. To dear Souri and Ahang: My poem on Lilith and her life:
//iranian.com/main/2008/lilith-lynx-eyed
//analogicalplanet.com/Pages/ContentPages/Sid...
براوو، شیرین عزیزم، درست گفتی، چک کردم
SouriMon Sep 10, 2012 04:28 PM PDT
//bitterwaters.com/Lilith.html
سوری خانم عزیز
ahang1001Mon Sep 10, 2012 04:13 PM PDT
میگویند اون زنی که نیمه اش مار است
همان لیلیت همسر اول آدم است
Lilith
بسیار زیبا بود
ahang1001Mon Sep 10, 2012 04:09 PM PDT
همیشه خوش قلم باشید
This one......
by Souri on Mon Sep 10, 2012 02:05 PM PDTI didn't understand it well :(
But I am very keen to know the story of that painting. Do you know what does it talk about? Which story of the Mythology, is this explaining?
Thanks for sharing.
دوست را کجا باید یافت
Orang GholikhaniMon Sep 10, 2012 01:22 PM PDT
علی جان خوشحالم که دوباره خبری ازت دارم
مرسی
قربانت
اورنگ
نوروز را باید یافت
Ali P.Mon Sep 10, 2012 01:06 PM PDT
Good work, Orang jaan.
Ali P.