HUMP OR DEATH: Golshifteh’s «nudity» as metaphorical as her «acting»

MON DIEU ? So It seems that by posing nude with other French Movie Stars ( See Related Photoour national cinema treasure Golshifteh Farahani has finally crossed the Rubicon in a “daring do” attempt to go skin deep. 

But has she ?

See what I mean when I lament about Iranian Cinema’s « Metaphorical » approach ? Even The “Nudity” is Metaphorical.

Monty Python – “French Subtitled Film” sketch :

Baba Azizam if that’s really what you wanna do …

Then go Full Frontal and get over it ! …

Koshteemoonah !

But then I guess Golshifteh Farahani’s Bold Stance is symptomatic of what we Iranians are:

Nudiste Mais Pas Trop !

Monarchiste Mais Pas Trop !

Democrate Mais Pas Trop !

Laïc Mais Pas Trop !

Revolutionaire Mais Pas Trop ! 

In Short and sans jeu de mots:  TROP LESS …  

Well I guess At this rate by the time you decide to go Full Frontal it will take you another 50 years …

The amount of time needed for Iran to turn into a democracy ! 

Anyway Congratulations nevertheless for crossing the Rubicon Some Three Decades after your peers …

pictory: Nude Scene with Marjane prior to becoming an MKO Icon (1970’s)

Googoosh & Saeid Kangarani in “Dar Emtedade Shab”

 

Not sure that required a “Revolution” though …


A Bon entendeur Salut ! 

 

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HUMP OR DEATH !


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HUMP OR DEATH:

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IT’s GOOD TO BE THE SHAH !

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Class Act:

 

Golshifteh Farahani – Shahzadeye Gheseye Man :


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CLASS ACT !

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Les Valseuses or Going Places 1974:

Going Places (French: Les Valseuses) is a 1974 French comedy-drama film directed by Bertrand Blier, adapted from a novel by Bertrand Blier, and starring Miou-Miou, Gerard Depardieu and Patrick Dewaere.

 

 

 

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Iranian Pioneers of French New Wave Cinema by Darius KADIVAR



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