Recently by Nazy Kaviani | Comments | Date |
---|---|---|
Baroun | 3 | Nov 22, 2012 |
Dark & Cold | - | Sep 14, 2012 |
Talking Walls | 3 | Sep 07, 2012 |
Person | About | Day |
---|---|---|
نسرین ستوده: زندانی روز | Dec 04 | |
Saeed Malekpour: Prisoner of the day | Lawyer says death sentence suspended | Dec 03 |
Majid Tavakoli: Prisoner of the day | Iterview with mother | Dec 02 |
احسان نراقی: جامعه شناس و نویسنده ۱۳۰۵-۱۳۹۱ | Dec 02 | |
Nasrin Sotoudeh: Prisoner of the day | 46 days on hunger strike | Dec 01 |
Nasrin Sotoudeh: Graffiti | In Barcelona | Nov 30 |
گوهر عشقی: مادر ستار بهشتی | Nov 30 | |
Abdollah Momeni: Prisoner of the day | Activist denied leave and family visits for 1.5 years | Nov 30 |
محمد کلالی: یکی از حمله کنندگان به سفارت ایران در برلین | Nov 29 | |
Habibollah Golparipour: Prisoner of the day | Kurdish Activist on Death Row | Nov 28 |
Great interview Nazy jan with Kayhan Kalhor
by Anahid Hojjati on Fri Feb 03, 2012 06:57 AM PSTvery informative. thanks for sharing.
Thank you!
by Nazy Kaviani on Thu Feb 02, 2012 07:35 PM PSTThank you for your kind comments.
Kayhan Kalhor has done so much to bring attention to our music and to the versatility of kamancheh. I leave a video for you of Kayhan Kalhor, sharing "his inspiration for writing 'Silent City,' a largely improvised piece for kamancheh, Western strings and percussion based an an altered A-minor scale, using Kurdish themes. In this interview, Kalhor discusses creating this piece for the Silk Road Ensemble with Yo-Yo Ma as a response to the destruction of the Kurdish city Halabjah under Saddam Hussein's regime. 'Silent City' is a meditation recreated with each performance."
Nice!
by Esfand Aashena on Thu Feb 02, 2012 06:59 AM PSTThere is a program in DC's Freer Gallery of Art on Sat Feb 4th (free) for Persian Classical Music: Hossein Alizadeh, tar and setar; Pejman Hadadi, percussion.
Everything is sacred
So true about orchestras and Persian music
by Ari Siletz on Thu Feb 02, 2012 01:08 AM PSTSo far no one has been able to make it really work with traditional Persian music, for the same reason chords are meaningless in this art form. Persian orchestrals are like Ansel Adams in color! "I can get—for me—a far greater sense of ‘color' through a well-planned
and executed black-and-white image than I have ever achieved with color
photography," he wrote in 1967.
Thanks
by shahireh sharif on Thu Feb 02, 2012 12:40 AM PSTHe'll be in Manchester soon.