AUTHOR
در مثلث نویسنده، متن و خواننده، خواننده نیرویی خدایی دارد، زیرا اگر او متن را نخواند، هیچ چیز به وجود نخواهد آمد و نویسنده درون حروف بی جان متن خود گرفتار می ماند. به علاوه آغاز کار خواننده به پایان نگارش متن موکول نمی شود، بلکه نویسنده به محض اینکه قلم بر می گیرد خواننده ی خود را در ذهن دارد و تصویر خواننده هرگز در جریان کار نگارش ناپدید نمی شود. به عبارت دیگر، هر نویسنده، درون خود خواننده ای دارد که نه تنها به او گوش می دهد، بلکه هم چنین با او سخن می گوید، و حتی گاهی چون همبازی خیالی کودکان، دارای نام است.
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AUTHOR
Captive to the cart of my memories
In the triangle of author, text, and reader, the reader has a divine power. If one does not pick up the text, nothing comes alive and the author remains trapped in the lifeless letters of the text. Moreover, the reader's role does not begin when a text is finished. As soon as authors pick up pens, they have their readers in mind, and the image of the reader never vanishes during the writing process. Every author has a reader within who not only knows the art of listening, but also speaks and, like a child's imaginary playmate, sometimes even has a name
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POETRY
I know your ring; who else would call on the first day
of Spring to wish me Happy New Year,
with seven S’s laid upon a table I have seen
in photographs embedded in your email
I hold the receiver
flush to the ear that hears the clearest,
my right, lips pursed at the mike.
I would whisper but for static
in the line
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Let's see if we can have a debate, an honest discussion.
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POETRY
You said, "I'll come back."
As the train was snarling and hissing
At first refusing to budge
Then abruptly yanking you away
And you waved and shouted,
"See you later, see you later."
Remember?
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Should our children learn Farsi?
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US Foreign Policy Fails Once Again
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Ardeshir Mohassess exhibition at Asia Museum next summer
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SHAH
Nader Shah’s final resting place
by
shahireh sharif >>>
ROCK
Conversation with director Ahmad Kiarostami
I met Kiosk's Arash Sobhani for the first time at Yoshi's (a famous jazz club here in San Francisco) through a mutual friend, Afshean. This is 5-6 months after I moved to San Francisco. Arash had moved to San Jose just a few weeks before, and was looking for a place here. I recalled I didn't know many people when I moved here, and out of empathy, gave him my number and told him he can call if he needs help to move his stuff. I was fool enough not to remember that he's a rock star, that he knows half of the Bay Area, and the other half he doesn't know, know him!
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REFLECTION
Nothing is as it seems, as they say. Plot twists reveal surprising hidden motivations, and in the tradition of sophisticated drama, each character sees the others more clearly than he sees himself. For example Kermani’s plea to save Iranians who would die in the impending war are countered by Muthada’s reminder that Kermani isn’t as concerned with life when it comes to the Islamic regime’s support of terrorism, and the brutal suppression of internal dissent. Sadly, Kermani does not put up a worthy defense. This is partly because the Islamic regime’s position is difficult to uphold in the first place
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