I first saw this movie in 1991 few years after its original release. It touched my soul on so many levels and so much that I saw it many more times until the subtitles in English was no longer needed for me. At some point, I started to understand every word in Italian (and Sicilian accent) to its maximum meaning for me... I developed such profound connection to this Italian Masterpiece that I felt as if it was spoken to me in my own native language, the universal language of love...
For those of you who have seen it, I would love to know your take on this Oscar winning masterpiece for best foreign film in 1989. And for those of you lovers who haven't seen it yet, what are you waiting for?
Captivating Film, Acting and the Soundtrack...
Hope you enjoyed or will enjoy as well.
Love and Peace,
Here is a clip of "The End" :
//www.youtube.com/watch?v=wEFugVbzsSo
Synopsis for Cinema Paradiso:
Beginning at the end, the movie opens with Salvatore's mother trying to inform him of the death of Alfredo. Salvatore, a filmmaker who has not been home since his youth, leaves Rome immediately to attend the funeral. Through flashbacks we watch Salvatore in his youth, in a post WWII town in Southern Italy. As a young boy he is called Toto and he has a strong affinity for the cinema. Toto often sneaks into the movie theater when he shouldn't and harasses the projectionist, Alfredo, in attempts to get splices of film that are cut out by the church because they contain scenes of kissing. Toto has a younger sister and war widowed mother who often struggle due to the lost of Toto's father. Toto is banned from the movie theater by his mother when his film bits accidentally catch fire and nearly kill his sister along with burning up the only picture Toto has of his father along with other family photographs. Eventually he sneaks his way back and forms a father-son bond with Alfredo, despite Alfredo's reluctancy, Toto even learns how to run the projector. Meanwhile one of the townspeople wins the lotto and becomes a rich man. One day in the cinema, after Toto leaves to watch the movie with his friends below, the film catches fire in the projector and knocks Alfredo out. Young Toto rescues Alfredo from death in the fire, unfortunately the cinema burns down and Alfredo loses his sight. Lucky the lotto-lucky-townsman pays to have a new cinema put up. Since Toto already knows how to run the projector he works with Alfredo in the projection room. Some years pass and Salvatore is now a young man. A rich girl, Elena, comes to town and Salvatore and his friends vie for her attention. Salvatore films her and begins to fall in love. Alfredo advises him to steer clear of love because it only causes pain. Despite his warning, Salvatore confesses his love to Elena, who's reply is that she does not, but she could. So he waits, every night outside her house for her reply. One day he gives up and trudges home depressed and upset only to soon discover that Elena does love him in return. They begin a passionate romance, like that of two newlyweds. Unfortunately, Elena's father doesn't approve and so he takes Elena away. All summer they try to meet, sometimes successfully, sometimes not. On one particular day he tries to reach her and she him but their paths don't cross. As we discover later, Alfredo catches Elena and convinces her to leave Salvatore alone out of love. Salvatore then wanders without purpose and eventually joins the military due to the requirement by Italian law that all male youths serve for a period of time in the army. When he returns to his home town, all has changed and he cannot adjust. Alfredo urges him to leave and tells him that if her were to ever return, he would not see him. Obviously Salvatore goes on the become a successful filmmaker. As he wanders the remains of his town after the funeral he sees a vision of Elena just as she was when they were young, he realizes it is Elena's daughter and follows her to Elena's home where he sees that she married one of Salvatore's childhood friends, a dunce when Salvatore knew him. He confronts Elena and they meet. They talk and she reveals to him that she didn't miss out on their fatal reunion but rather that Alfredo convinced her to leave. Salvatore realizes what a role Alfredo had in shaping his life and that Alfredo knew that if he stayed with Elena he would have no chance to pursue his love of film and so by going to Rome to become a filmmaker he sacrificed his love for Elena. Salvatore and Elena say farewell and go their separate ways. Salvatore returns to Rome with a can of film left to him by Alfredo. It contains all the splices of the kissing scenes from Salvatore's youth.
Soundtrack by: Ennio Morricone
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Very Good Movie indeed with Jacques Perrin
by Darius Kadivar on Sun Nov 08, 2009 09:36 AM PSTThe major actor/poducer Jacques Perrin ( who plays the role of the Grown Up Boy) also produced a Film Shot in Iran in the 1970's entitled Desert of the Tartars Shot in BAM :
A Mejor Attraction By Darius KADIVAR.
By the way this is how you can embedd your videos ...
Cheers,
DK
The Director's Cut..
by faryarm on Sat Nov 07, 2009 07:24 PM PSTAfter the huge success of the film, there was always the hanging question...
what ever happened to the girl he fell in love with..?
well, a few years ago I came upon a newly released extended director's cut that answered the question...
one of the most memorable films of all time...
faryarm