MEDIA
Inability of journalists to understand the other side
by Earl Wilson
Nine years after the start of the Iraq war, the scene has shifted to Iran, and Mr. McNulty has a more detached view of events, as co-director of the National Security Journalism Initiative at Northwestern University. Now he cautions journalists against falling again for a kind of siren song: “the narrative of war.” “The narrative of war, or anticipating war, is a much stronger narrative than the doubters have,” he said. “It is an easier story to write than the question of, well, is it really necessary?”
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VIEW
by Alec Shelbrooke
My opposition to military action against Iran was embedded in the experience of Iraq. To this day I simply will not support a unilateral military campaign. An attack tomorrow would simply be the best recruiting agent for a major war with the West, and the objectives would also be highly unclear. So, with this in mind, can I be opposed to any military action with Iran? To answer this I need to address my overriding key principle; that politicians have the highest moral responsibility above all else to prevent the deaths of innocent people
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REALITY TV
Bravo's "Shahs of Sunset"
To say that the “Shahs of Sunset” is “bad” would be a redundancy, given that it’s a so-called “reality show.” These days, even the most trusting television viewer knows there’s nothing “real” about reality TV. As Time magazine put it six years ago, “Quotes are manufactured, crushes and feuds constructed out of whole cloth, episodes planned in multi-act ‘storyboards’ before taping, scenes stitched together out of footage shot days apart.”
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SIAVASH
آیا میشد از فاجعه جلوگیری کرد؟
سیاوش، شاهزادهی ایرانی، در جنگی که بین ایران و توران در میگیرد، فرماندهی سپاه ایران است. پس از سه روز جنگ، سپاه توران وادار به عقبنشینی میشود. افراسیاب، شاه توران، پیشنهاد صلح میکند. سیاوش از او میخواهد برای تضمین صلح، صد نفر گروگان نزد او بفرستند و شهرهای ایران را که قبلاً تصرف کرده باز پس دهد
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