Loghman-e-Adham
was newly paved, I suspect,
for its American class.
Running to get our bread,
I would see blonde heads
under concave glass
urging a bodyguard or two,
passed out from the heat
fumbling their keys.
I would see the playboys,
hand dangling off shoulders
of the foreign beauties
stopping to show off,
pointing at their trophies
radiant and chaste.
I say I saw but these,
impressions, in the fog
of youth and haste
melting to reappear
as drivers who scream
at the moment of impact.
Mayhem, around the corner,
soon taking for a ride
the new bourgeoisie.
Sangak is my symbol
of that lost luxury, of exile,
of the world that denies.
I impatiently bite
its female flesh
only to cuss and cries
to chip my tooth
on the hidden pebble
of forgotten dreams.
jam11
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Hence..
by jamh on Mon Jun 27, 2011 09:32 AM PDT:)
Dear jamh, Hidden pebble of forgotten dreams
by Anahid Hojjati on Mon Jun 20, 2011 01:10 PM PDTis more poetic.
Dear Anahid
by jamh on Mon Jun 20, 2011 01:03 PM PDTThat's a great idea! Please share. It's interesting that those are your favorite lines. That last line, I thought, was a bit of a cop out. A little too easy. I toyed with the idea of changing it a couple of times.
on the hidden pebble / of the alternative.
But I thought it became harder to understand.
Dear jamh, thanks for the beautiful poem.
by Anahid Hojjati on Sun Jun 19, 2011 05:50 AM PDTI liked your poem, additionally it inspires me to write about Americans and other foreigners who lived in Tehran in 1970s. I do have some memories that I like to share and your poem gives me the idea that perhaps there is something to be written about this subject in the form of short story or poem. My favorite part of your poem is:
I impatiently bite
its female flesh
only to cuss and cries
to chip my tooth
on the hidden pebble
of forgotten dreams.
Thanks for sharing.
Thank you Mehrban,
by jamh on Fri Jun 17, 2011 04:18 PM PDTIf you think of the rhyme as the bass line, it's nice when something jumps out (and stands out) every now and then. I follow very loosely the tradition of Persian poetry, being a modernist at heart.
When I reread this poem, Everything stands out clearly: old cars with their curved windows, the heat of the day and the heat of the bread under my arm, the soft asphalt, the shouts of the bakers. The atmosphere of the Tehran of the 70s with all its imperfections and wonders. Well at least for me.. And hopefully for others.
Dear Jamh
by Mehrban on Thu Jun 16, 2011 08:19 PM PDTyou are a disciplined poet, I assume bourgeoisie is not rhyming with impact for a reason (?). Of course not that it should.
Very nice poem, thanks for sharing.