ART
Reinterpreting Iranian Pop Art with a new set of values
The two art series that I am submitting relate to the culture of Iran during the 70s pre-revolution. The series "When Iran Went Pop!" was created back in early 2010, and the second series "Minimalist Posters for Iranian 70's TV Cinema Radio" I completed recently. Despite their appearance and titles the two series (that are closely related) are two conceptual works of Art disguised as a pop art and a minimalist series. I have used an Art school as a medium just as one might use tapestry or metal as mediums for conceptual work
>>>
REVOLUTION
Has Ahmadinejad lost his working-class support base?
by Dariush Zahedi & Hamed Aleaziz
The Iranian economy is on a precipice. Ahmadinejad's new subsidies plan, which eliminates heavy discounts on fuel and food, has thus far pushed inflation to an annual rate of 15 percent, which may well rise further. The prices of important consumer and food staples have risen even faster; the price of bread has doubled, and gas prices have quadrupled. The government is attempting to alleviate the effects of increased prices by providing its citizens with handouts of cash. But by every indication, the economy is still going to get worse
>>>
IDEAS
Before democracy can be ushered in, a culture of democracy must be developed
As revolutionary spirit is gaining momentum in the Middle East, it is only a matter of time before we see millions of Iranians take to the street demanding democratic change. The question is whether the US should seize the opportunity, at a time when Iran’s central government becomes vulnerable, to effect regime change militarily, through a coup, or other coercive methods? The Saban Center for Middle East Policy at the Brookings Institution drafted in 2009 nine different policy options for dealing with Iran
>>>
WOMEN
Choreographing of Iranian women’s migration
by Najmeh Khalili-Mahani
Much is written about Iranian women, Iranian films and Iranian women in Iranian film. But, the lives of Iranian immigrants in their new Western homes are rarely projected. In her debut film,
The Neighbor, The New Yorker film editor, Naghmeh Shirkhan, takes a brave leap to make an elliptical narrative film about the rarely mentioned reality of Iranian women’s lives in ‘exile’. A dance instructor, struggling with memories of her mother and grandmother encounters her enigmatic neighbor Leila and her young daughter
>>>
POETRY
شمشیرهایمان را در دریاچه ی سیوا بشویید
و از آن داسغاله های بُرنده بسازید
و هر ساله از برداشت خرما و زیتون خود
بخشی را به زائران معبد دهید
>>>
POETRY
و این
واپسین خطابهی من در آستان معبد توست،
ای با من آمده شانه به شانه این همه راه
ای با من شریکِ سالهای آن همه آه
>>>