VALUES
We should look for values from any human being from any background
I always hear: “He is just another typical Persian guy. He tries so hard to be everything but him self”, or she is just “Another pretentious Persian girl, good by day, nasty by night”… We as young Iranians, as people from different cultural backgrounds, can be unconsciously incompetent in the area of moral identity. The problem is: we distinguish, separate and/or confuse our values. Generally speaking we separate the parameters of social acceptance (of our current environment) from a perceived outline of what is expected from us ethnically, as Iranians
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FAMILY
Photo essay: Family outing in a park in Brussels
by
Siamack >>>
ROCK & BLUES
موضوع اصلی آلبوم جدید گروه ماد طغیانه که نشانه هاش درنسل سرکش امروز ما به وضوح دیده میشه
عبدی بهروانفر: آلبوم "کخئووکلخت" آلبوم دوم من وگروه ماد است که ضبطش از سال1387 شروع شد واخیراٌ مراحل میکس و مستر و چیدمان ترکها تمام شد. آلبوم 8 ترک داره بعضی از اونا قبلا با گروه اجرا شده که البته دراین آلبوم تنظیم وسازبندی جدیدی دارند. آلبوم در سبک فولک راک و تلفیقی از سازهای اصلی راک، بلوز و سازهای محلی خراسان است. یکی از بخشی های بزرگ استان خراسان اهل چناران -عاشق علی اکبر بهاری- در این آلبوم قشمه، سرنا و کمانچه زد. تلفیق سازهای بلوز، راک و سازی مثل قشمه - از استخوان بال عقاب ساخته میشه با قدمتی بیش از4000 سال
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ACTION
Being a little more vocal and involved is the dictators' worst nightmare
My family migrated to the U.S. before the Revolution when I was just 8, I went back to Iran only once 5 years ago for a month and I was arrested on "Pole Tajrish" for not wearing my hijab well. I basically grew up thinking this is really my country of origin given that all I had learned and knew was from this generous hosting country. It wasn't until recently that I learned that there is a definite difference between me and and my dear Anglo Saxon friends/colleagues or perhaps the Jewish Americans or even Chinese or Indian Americans. NOT just in my own eyes but in the eyes of the world looking at me
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RE-ORIENT
A decade of plays about the Middle East
Whenever I enjoy a politically themed movie or play, I wonder if solidarity with the viewpoint isn’t clouding my judgment of the aesthetics. Is the artist speaking my heart, or is my heart speaking for the artist? Often it is a mix of both, to be honest. But one of the works I watched last Saturday at Golden Thread’s Festival of short Middle East plays shattered the silly question at the outset. Naomi Wallace’s
No Such Cold Thing is a spellbinding play that powers its way beyond “friends don’t let friends invade Afghanistan.”
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PARTY
Photo essay: Radio Javan bash in San Francisco
by
radiojavan >>>
THANKSGIVING
Americans invented the atom bomb and overthrew Mossadegh, then they recorded Elvis and went to the Moon
Every year on Thanksgiving Day I give thanks that Iran’s problems with the West are gravy compared to what the Indian chief Massasoit faced when English settlers landed at Plymouth Rock in1620. As the story goes, the newcomers were starving that first winter in America and the Indians helped them survive. The outcome was pumpkin pie, cranberry sauce, leftover turkey sandwiches, and the United States of America. Also, the Native American way of life was demolished. Massasoit was a great and wise chief. Undoubtedly he saw the threat these foreigners posed.
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NUMBERS
PAAIA Releases 2009 National Survey of Iranian Americans
In August of 2008, the Public Affairs of Alliance of Iranian Americans (PAAIA) commissioned Zogby International to conduct a national public opinion survey of Iranian Americans to gather, for the first time, accurate and timely information about the demographics and views of the Iranian American community. The purpose of the 2008 survey was to provide PAAIA with the knowledge required to more effectively represent the Iranian American community, and to further inform and educate the American public at large, as well as U.S. policy makers and opinion makers about Iranian Americans
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JOY
Whatever has ever happened before this moment is irrelevant
Orhan Pamuk walked into the stage and the excitement of hearing him reading from his new book took over my breathing system, inside my veins, my stomach, my eyes, and I felt enchanted by his tall silhouette and the shine in his silver hair. I couldn’t decide which one of his little gestures were the most charming; his subtle smile as he glanced at the audience, or his obvious difficulty in pronouncing some words? At the end, I was particularly captivated by his inquisitive eyes, as if he could still look at the world with amazement
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EXHIBITION
A collective narrative of Tehran in an art show
One day, strolling down the streets of Tehran, I noticed that somethings are near and somethings are far. Big deal, I said to myself. Everybody knows there is a here and a there. But why did this thought feel like a find? Why was I inspired by it as though I had just heard a Hafez verse? For some reason, I felt compelled to give life to the sensation so that it can trot out on its own and share itself with other people? Fortunately, I am a Hafez of sorts myself. I work in a different medium, photographs that hang in a gallery instead of verses written in a book
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IRANIANS
مقایسه ای کوتاه بین ایرانیان و آمریکاییان
by Ali Alavi
ما ایرانیان عزیز که در اقصی نقاط دنیا سکنی گزیده ایم با آشنایی با جوامع غربی و نوع نگاه آنان به زندگی – توانسته ایم به عرصه های جدیدی دسترسی پیدا کنیم. بخشی از هم وطنان ما در ایران هم توانسته اند به بخشهای سرگرم کننده زندگی غربی مانند فیلم و سریال ها (از طریق دی وی دی دوبله شده و نه با تماشای کانالهای ماهواره ای انگلیسی زبان و دیگر زبانها) و شوهای رقص و غیره آشنا شوند بی آنکه بتوانند در آن کشور ها زندگی کرده و نوع زندگی اجتماعی و سیاسی آن کشور های دموکراتیک را تجربه کرده و حتی با آن نوع نگاه آشنا شوند
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IDENTITY
This is what scares me the most as an artist in the Diaspora, pigeon-holing me
I started writing plays and doing theatre long before I had heard the term Diaspora. To me, the most important motivation for doing theatre was being part of the efforts to build a community in Berkeley. A few years after the revolution, many of us in the Iranian community were politically active. We all met on a weekly basis to discuss political issues. Typically, close to 40 of us gathered in one of UC Berkeley’s classrooms to discuss an abstract subject, like how many stages the future Iranian revolution would have or what mode of production was dominant in the Soviet Union
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SAINT
Mata Amritanandamayi Devi – the 56-year-old “hugging saint” from Kerala – is in town
My ex-girlfriend Sandra got married. Last Saturday, she and her groom Joe vowed to look after each other “in credit and in overdraft” even “when you are grumpy”. It was a wedding filled with humour in a room – in Shakespeare’s Globe Theatre – overlooking the River Thames, with a view of St Paul’s Cathedral, on a sunny (if chilly) day. I stood at the back, pondering how our lives had changed. Well, mine in particular – weddings are a time to navel-gaze. Twelve years ago finding a pair of socks that matched was difficult for me. Today things are no different
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COMMUNITY
Photo essay: PARSA Community Foundation's 2009 awards ceremony
by Payam M
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